HEY! JOO-LEE!
Julius La Rosa – “Just In Time”
Julius La Rosa was born in Brooklyn, New York. He joined the United States Navy in 1947 after finishing high school becoming a radioman who sang informally. Navy buddies and brass managed to promote him to Arthur Godfrey at the time one of America’s leading radio and television personalities, and himself a Naval Reserve officer, whom the Navy often accommodated as a nod to the good publicity he gave the service. Godfrey, a personality in the early years of network television, heard LaRosa in Pensacola, Florida, where LaRosa was stationed, and offered him a job. Godfrey, for his part, was impressed by La Rosa’s singing and had him flown to New York to appear on his television show, with Godfrey ending the spot by saying, “When Julie gets out of the Navy he’ll come back to see us.”
Discharged from the Navy on a Friday, La Rosa went to Godfrey on the following Monday, and a week later he appeared on Godfrey’s variety show. He was a regular on both the morning Arthur Godfrey Time (broadcast on both the CBS radio and television networks) and the Wednesday night variety show Arthur Godfrey and His Friends. LaRosa was joining a show that was extremely profitable for the new CBS television network. But Arthur Godfrey was caught between the enmity of CBS owner Bill Paley and the admiration of CBS management for running a successful show. Godfrey was subject to aesthetic criticism by Paley, as noted by Time magazine in 1950. “[…][H]earing that William Paley thought the Godfrey TV show ‘lacked movement,’ Arthur brought on a line of hula dancers and leered into the TV camera: ‘Is that enough movement for you, Bill?'” The same Time magazine article also found Godfrey to be vulgar and “scatological”.However CBS management realized the show was extremely successful and cost little to produce, in turn earning their admiration.
Julius La Rosa’s tenure on Godfrey’s shows lasted from November 19, 1951 to October 19, 1953. When Archie Bleyer, Arthur Godfrey’s bandleader, formed Cadence Records in 1952, the first performer signed was La Rosa. Cadence’s first single, which was also La Rosa’s first recording, was “Anywhere I Wander.” It reached the top 30 on the charts, and his next recording, “My Lady Loves To Dance”, was a moderate success, but La Rosa would hit gold with his third recording, “Eh, Cumpari” in 1953. It hit #1 on the Cash Box chart and #2 on the Billboard chart, and La Rosa got an award as the best new male vocalist of 1953. Like the other “Little Godfreys”, as the cast members were known, Godfrey discouraged La Rosa from hiring a manager or booking agent, preferring to have his staff coordinate and negotiate on La Rosa’s behalf. La Rosa hired his own agent and manager: Tommy Rockwell.
With hit recordings and his appearances on Arthur Godfrey’s shows, La Rosa’s popularity grew exponentially. At one point, La Rosa’s fan mail eclipsed Godfrey’s. A year after La Rosa was hired, he was receiving 7,000 fan letters a week. On the morning of October 19, 1953 (in a segment of the show broadcast on radio only) after La Rosa had finished singing “Manhattan” on “Arthur Godfrey Time,” Godfrey fired him on the air, announcing, “that was Julie’s swan song with us.” and that he was “going out on his own.” He later remarked that LaRosa had lost his humility.
Comedians began working the phrase “no humility” into their routines. Singer Ruth Wallis, known for her raunchy double entendre novelties, recorded “Dear Mr. Godfrey,”a biting satire on the matter, which made it to #25 on the Billboard charts in November 1953. Days after firing La Rosa, Godfrey also fired bandleader Archie Bleyer, owner of La Rosa’s label Cadence Records, for producing spoken word records for Cadence featuring Chicago-based talk host Don McNeill, whose Don McNeill’s Breakfast Club on ABC Radio opposite Godfrey’s morning show was considered a direct competitor.
Immediately afterwards, with “Eh, Cumpari” a major hit, followed by “Domani.” Ed Sullivan immediately signed La Rosa for appearances on his CBS Toast of the Town TV variety show, which sparked a feud between him and Godfrey. La Rosa’s first appearance on Toast of the Town following the firing got a 47.9 Trendex rating and La Rosa would appear 12 more times on Sullivan’s show that year.
La Rosa had a three times a week television series, The Julius La Rosa Show, during the summer of 1955, featuring Russ Case and his Orchestra. The short-lived series lasted only 13 weeks. La Rosa tired of revisiting the Godfrey affair, in part because it had been rehashed so many times, but he was also known to declare publicly that Godfrey was, indeed, the individual who made his career, but always adding, “He wasn’t a very nice man.”
Later career
Julius La Rosa appeared on television shows ranging from The Honeymooners in 1953 to What’s My Line? to The Pat Boone Chevy Showroom,The Polly Bergen Show (two episodes, including the 1957 premiere), The Merv Griffin Show to Laverne and Shirley in 1980. He also hosted an unsold game show pilot for NBC in 1977 called Noot’s Game.In the 1980s, Julius La Rosa received a non-contract, recurring role in the NBC soap opera Another World. He was nominated for a Best Supporting Actor Daytime Emmy award for this role. He has also been a frequent contributor to comedian Jerry Lewis’s marathon annual Labor Day telethon programs for the Muscular Dystrophy Association, often hosting the New York outpost of the shows.
La Rosa eventually moved on to a long-time disk jockey position at New York’s WNEW and continued to sing and record. New York Times music critic Stephen Holden says: “His singing is very direct and unpretentious — he can wrap his voice tenaciously around a melody line and bring out the best in it.”
Julius LaRosa said in 2008, “Music is ‘a very egotistical thing.'[…] ‘It makes me feel good […]’ and fortunately, I have the capacity to make people feel good who hear me feeling good.'” Julius LaRosa lives in Westchester County, New York.
Biography from Wikipedia.
Photos added by WNEW 1130 AM editors.
While some former “Arthur Godfrey” regulars went into obscurity after their time on the show, Julius LaRosa enjoyed generations of success as a singer, DJ., and emcee.
I once read that a few years before Godfrey’s death, he and LaRosa bumped into each other outside the WNEW studios, and LaRosa tried to let bygones be bygones by warmly shaking Godfrey’s hand. But after a few minutes’ talk on the street, LaRosa said that they better move on before the press made a big issue of it.
Godfrey said “- – – – the press!”, and after that, the two went on their way.
We last saw/heard Julius at the famous Warwick Music Tent in Rhode Island. His performance was outstanding. Ironically, we have been watching/listening Julius as part of a promotional fundraiser on PBS right now. Best wishes to Julius and family.
Good to hear from you!
To Julius LaRosa: My mom was Santa Ribaudo and my Dad was Louis Badalaty. I’m their son and remember the times you came to my grandfather’s house in Brooklyn to sing. Both Santa nd Luios have passed but the rest of the Ribuados are still kicking.
My dad, Nick Finzo, served with Julius LaRosa in the Navy and we grew up hearing all about him. It would be wonderful if there was a way for them to reconnect. I know my dad would be happy. If there is a way, please let me know. Thank you.
Deborah!
Does your Dad remember when we would sing:
Nicholas Finzo and Daniel Gaudet,
Big Dick Canucci and Julie La Rosa?
Nick! We mde it! LOL Yeah! We’re still alive!
Julie P.S. Please, a big hug for Deb!
Julius certainly had a knack for saying the right thing at the right time. In 1977, the New York-area alumni of my alma mater, the Albany Academy, had a reunion meeting at the Yale Club, across the street from Grand Central Terminal. Several of our favorite teachers made the trip from Albany to be there with us. After the meeting, I offered my English teacher, Frank Nash, a tour of the nearby WNEW studios before he and the others got the train back to Albany. He got the blue-ribbon tour, and as we walked through the control room, Mr. Nash spotted Julius in the studio. “Who’s that, Andrew?” he asked. “That’s Julius LaRosa,” I replied. “THE Julius LaRosa?” “Sure! Let’s go in and say hello.” We walked into Studio 7B. “Julie, this is Frank Nash, the man who taught me the English language,” I said. Julius grinned that 50-kilowatt grin and said, “Frank, you did a great job!” Mr. Nash was a war veteran on whom the Battle of the Bulge had left deep and lasting scars. That day in Studio 7B, I saw him smile for the first and only time.
Hello, Mark Clarke — The duet version of “Half And Half,” heard on Julie’s show, was a home-studio recording featuring Julie and daughter, Maria. It was not made available commercially. Thanks for asking and visiting. Ed Brown
Does anybody remember Julius LaRosa doing a song with his daughter? I remember hearing in on WNEW way back in the late 60’s, and I thought it was “Half and Half” but I just found a copy of that song and it’s only him, not a duet.
I have been trying to find a way to contact Julius La Rosa or an agency who works with him. any assistance would be appreciated
Rick Clear
Union City, Indiana