And, finally, for this time around, thanks to Andy for transferring to these archives, a real, actual, genuine, no imitation sheet of 1972 WNEW Superstar cards.
Ted Brown, Ted Knight, Ted Baxter
Click on links below for the Apollo 11 production ,a profile of George Engle by Alan Walden, and a National Geographic feature on the Future of Space Flight.
Charlie Barnet Orch. with the Modern-Aires
Tommy Dorsey Clambake Seven
Charley Barnet Orch. – Stay Up Stan, The All-Night Record Man
Les Brown, The Modernaires – Milkman’s Matinee
Glenn Miller, The Modernaires -Make Believe Ballroom Time
“This Land” — Woodie Guthrie (sample)
“Reuben James” — Woodie Guthrie (sample)
More of “. . .we interrupt this program . . .” in our next report. ECB
ECB
Dinah Shore, “Skylark,” 1942 (:35)
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For more about Marty Wilson:
http://wnew1130com.ipower.com/music-2/staff/u-v-w-x-y-z/marty-wilson/2673-2/
Marty became interested in broadcasting at a very young age. His parents surprised with him with tickets to be in the Peanut Gallery on the “Howdy Doody Show.” He spent more time looking at the cameras, mike booms, and production staff than he did at Buffalo Bob and the puppets!
A few years later he took the tour of NBC Radio and was hooked. In junior high school he became a member of the Cousin Brucie Fan Club and would visit the WABC studios on West 66th Street. He then worked for Bruce backstage at Palisades Amusement Park.
After enrolling at City College he majored in cutting class to work at the college radio station where he became Assistant Station Manager and hosted a number of shifts.
In 1968 he got a job at WEVD as a summer and part time engineer. In addition to learning how to understand commercials in 16 languages, he met Symphony Sid. One night at a remote from the St. George Hotel in Brooklyn, Sid became a little “under the weather.” He turned to Marty and said, “You finish the show, I’m going home.” Marty then moved to the other side of the glass. He became a staff announcer, and when Sid retired, Sid gave him his record collection and later Marty hosted his own show, “Jazz Through The Night,” at times broadcasting from his Upper East Side apartment in a studio he built.
After leaving WEVD, he worked briefly at WHLI with the “Music Of Your Life” format.
During the “Jazz Through The Night” years he met Bob Jones, who was on the air at WNEW. Bob convinced PD Jim Lowe to give him an audition. The audition consisted of, “Here’s a reel of tape, there’s the studio, there’s the record library, do an hour.”
He was hired as the weekend host of the ”Milkman’s Matinee” and shortly thereafter became the full time Milkman following in the footsteps of a number of great hosts. He introduced a number of features during that time including an audience participation novelty called “It Could Be Verse” where listeners would try to guess what song was playing just by listening to the verse. Ted Brown enjoyed his style and insisted that Marty be his vacation substitute.
In 1987 Marty also conceived the idea for a syndicated program, “A Moment Of Musical History”, a daily feature, that was heard nationally and is still on the air as of this writing in 2012!
After leaving WNEW, he and a college buddy of his bought a station in New Haven, Connecticut, which he ran for nine years. After selling the station he joined the staff of “Jukebox Radio,” doing afternoons and then middays.
Now he concentrates on doing voice-overs and producing commercials for a variety of clients and agencies from his own studio in sunny South Florida.
Editor’s Note: Symphony Sid: http://en.wikipedia.org/wiki/Symphony_Sid
