R. Peter Straus

R Peter Straus WMCA 1960's
R Peter Straus
WMCA 1960’s

At WMCA 570 AM, New York, station president R. Peter Straus combined Top 40 music with socially conscious journalism and ground-breaking public service to animate broadcasting’s most successful and influential big-city mom and pop radio station.  I joined WMCA in 1959, about a year after Peter succeeded his father, Nathan Straus, as station president.  For nearly six years in the news room, I witnessed and  participated in events WMCA both covered and created with its two-fisted documentaries, independent news service, precedent-setting editorials, and a historic crusade for voting justice.  Credit for WMCA’s best years as a top-rated station is shared by many people, but the first-of-its-kind balancing of jukebox and soap box that made that prominence possible, was by the design and direction of R. Peter Straus.   Edward Brown

 New York Daily News and New York Times stories follow below

 R Peter StrausNY Daily News photo jack smith

R. Peter Straus in WMCA studio, mid 1980’s. NY DAILY NEWS photo: Jack Smith

R. Peter Straus, populist WMCA radio host and NYC fixture, dead at 89

Liberal Democrat radio icon made rock n’ roll fun, too

By DAVID HINKLEY/ NEW YORK DAILY NEWS

R. Peter Straus, a blueblood who used his WMCA radio station to fight for populist causes, pioneer talk programming and make rock ‘n’ roll fun, died Monday at his Manhattan home. He was 89, and even people who disagreed with his liberal Democratic politics hailed him as a man who loved his radio station and the medium passionately.

“Peter Straus was one in a million,” said Tom Tradup, now with Salem Communications and Straus’s talk program director from 1980 to 1983. “WMCA was a petri dish of talk radio creativity, with legends like Barry Gray, Bob Grant, Bruce Williams and Barry Farber.” While he employed hosts across the political spectrum because he thought they were entertaining, he also used his 5,000-watt signal to broadcast his own beliefs.  He was one of the first station owners to broadcast editorials, endorsing John F. Kennedy for President in 1960 and calling for the resignation of Richard Nixon early in the Watergate scandal. But his station was better known as one of the first and most endearing homes for rock ‘n’ roll.

Deejays like Scott Muni, Murray the K, Harry Harrison, B. Mitchell Reed and Dan Daniel passed through WMCA, and Straus was one of the first owners to hire a black jock for a “rock ‘n’ roll” station when he signed the late Frankie Crocker. WMCA jocks were collectively known as “The Good Guys” in that wholesome era, and they delighted in waging guerrilla war against the much larger WABC

The battle between the two stations over who “owned” the Beatles became city radio legend. “WABC was bigger, but I always thought we had more fun,” said Dan Daniel years later. “And I think the fact there were two competing stations made them both better and made it a lot more entertaining for the listeners.”  Straus turned WMCA to talk in 1970 and sold it in 1986.

Born in Manhattan, Straus was the son of a Roosevelt administration official and state senator who bought his first radio station in 1943. Straus’s grandfather was Nathan Straus, owner of Macy’s and Abraham and Straus. His great-uncle Isidor was a congressman who went down on the Titanic.

A Yale graduate and World War II veteran, he joined WMCA as program director in 1948. During his years at the station he also worked in the Lyndon Johnson administration and directed the Voice of America from 1977 to 1979. He and WMCA filed a lawsuit in 1961 charging that the state legislature was violating the Constitution by giving rural areas disproportionate representation. That suit, folded in with others, led to the U.S. Supreme Court’s 1964 “one man, one vote” decision.

Straus even had brushes with history in his personal life. His first wife Ellen Sulzberger, a niece of Times publisher Arthur Ochs Sulzberger, died in 1995 after they had been married 45 years. In 1998 he married Marcia Lewis, mother of White House intern Monica Lewinsky.

But active as he was in social, political and economic circles, Tradup says Straus never lost touch with WMCA. Tradup recalls the time when night host Long John Nebel, late in his legendary career, was reading spots for a Brooklyn funeral home on his show. “Peter would ask the WMCA business department about them,” Tradup says, “and they professed not to know anything. “So one night Peter and Ellen were riding to a party and he heard the spot again. He had his driver turn the car around and barge into the station to get the straight story.”

Nebel, it turned out, had cut his own deal with the funeral parlor to run the spots in return for, when the time came, handling Nebel’s arrangements and burial. “Those were in the bygone days,” says Tradup, “when a station owner in New York actually listened to his property.”

http://www.nydailynews.com/authors?author=David Hinckley

R Peter Straus WMCA 1960's
R Peter Straus
WMCA 1960’s
NYTIMES photo

R. Peter Straus, WMCA Radio Pioneer, Dies at 89

By robert d. McFADDEN – NEW YORK TIMES

Published: August 8, 2012

 R. Peter Straus, who took over WMCA in New York in the late 1950s and turned it into one of the nation’s most innovative radio stations, broadcasting what are regarded as the first radio editorials and political endorsements and helping to popularize rock ’n’ roll, died on Monday at his home in Midtown Manhattan.  He was 89.

His daughter Diane Straus Tucker confirmed his death.

The son of a radio entrepreneur and the scion of a family steeped in public service, Mr. Straus counted diplomats, cabinet officials, legislators and philanthropists among his forebears, and became a United Nations official, director of the Voice of America and the administrator of American aid to Africa.

He also became a plaintiff in a historic reapportionment lawsuit that forced New York’s Legislature to give cities increased representation. It became an integral part of the Supreme Court’s “one person, one vote” ruling, which concluded that many state legislatures were unconstitutionally unbalanced in favor of sparsely populated rural areas.

But his most memorable contributions were in radio. Long before NPR created a network for high-quality news, music and discussion programs, WMCA pioneered public service radio in New York. It was the first station in the country to run editorials on political and civic issues, with Mr. Straus himself reading opinions on the air, and the first to endorse a presidential candidate, backing John F. Kennedy in 1960.

In December 1963, “I Want to Hold Your Hand” wailed out over WMCA, and Beatlemania, with a big boost from the station, soon engulfed the region. It was hardly a surprise. WMCA had been playing rock ’n’ roll since the 1950s, and WMCA’s Top 40 format, along with that of its fierce rival WABC, dominated the New York airwaves through the 1960s. WMCA’s disc jockeys, known as the Good Guys, became almost as well known as the stars whose records they played.

It is what the people want to hear, Mr. Straus said.

After Mr. Straus converted the station to an all-talk format in 1970, WMCA was known for years as a forum for liberal causes. It was the first station to call for the resignation of President Richard M. Nixon in the Watergate scandal, and the first to ban cigarette advertising and to accept ads from abortion rights advocates and makers of contraceptives.

It broadcast “Call for Action” programs featuring an ombudsman to help listeners who had problems with government agencies, corporations and landlords, and “Crime Stoppers,” to help the police solve crimes. It also accepted ads from the Patrolmen’s Benevolent Association and put public officials like Gov. Mario M. Cuomo and Mayor Edward I. Koch on the air to answer questions from listeners.

“We like to think occasionally we give voice to the voiceless,” Mr. Straus said in 1983. “We want to be broadcasters, but we want to make a difference.”

WMCA, 570 on the AM dial, was founded in 1925, broadcasting from the McAlpin Hotel, from which the call letters were derived. It was bought by Nathan Straus Jr. in 1943. Its programming included popular music, dramas, New York Giants baseball games and, in the postwar years, a remarkable run of music and talk featuring Barry Gray, sometimes called “the father of talk radio,” and disc jockeys like Scott Muni and Murray Kaufman, a k a Murray the K.

By 1986, WMCA was the last privately held station in a leading urban market when Mr. Straus sold it to Federal Enterprises of Detroit for $10 million. In 1989 it was sold again, to Salem Communications, which adopted the Christian format that continues today.

Ronald Peter Straus, who almost never used his first name, was born in Manhattan on Feb. 15, 1923, the son of Nathan Straus Jr. and Helen Sachs Straus. His father, who became director of the United States Housing Authority under President Franklin D. Roosevelt and a New York State senator, bought WMCA in 1943. The company, Straus Communications, later owned many radio stations and newspapers in the Hudson Valley and New Jersey.

Peter had other notable antecedents: his grandfather, Nathan Straus Sr., was a philanthropist who co-owned R. H. Macy and Abraham & Straus department stores. A great-uncle, Isidor, was a congressman who went down on the Titanic in 1912; another, Oscar Solomon, was ambassador to the Ottoman Empire and President Theodore Roosevelt’s secretary of commerce and labor.

After attending the Lincoln, Riverdale Country Day and Loomis schools, Mr. Straus majored in international relations and American government at Yale and graduated in 1943, a year early, under a World War II program. He became a B-17 pilot and flew 35 bombing missions over Germany. After the war he worked in public relations for a time, then joined WMCA as program director in 1948.

In 1950 he married Ellen Louise Sulzberger, a niece of Arthur Hays Sulzberger, publisher of The New York Times. She died in 1995.

Mr. Straus and his second wife, Marcia Lewis, mother of the former White House intern Monica Lewinsky, were married in 1998. They were introduced by a mutual Washington friend in 1997, months before the scandal of Ms. Lewinsky’s relationship with President Bill Clinton became public in January 1998. Mr. Straus said later that he had met Ms. Lewinsky once or twice, but declined to comment on her or the president, whom he had known for years. Ms. Lewis was divorced from Ms. Lewinsky’s father, Bernard Lewinsky, a California doctor, in 1987.

In addition to his daughter Diane, his wife and his stepdaughter, Mr. Straus is survived by three other children from his first marriage, Katherine Straus Caple, Jeanne Straus and Eric Straus; two brothers, Irving and Nathan; a stepson, Michael Lewinsky; and nine grandchildren.

Mr. Straus left WMCA in 1950 to become an executive of the International Labor Organization, a United Nations agency in Geneva. He returned to WMCA in 1958, succeeded his father as president in 1959 and became chief executive when his father died in 1961.

In 1961, he and WMCA filed a federal lawsuit that led to the reapportionment of the State Legislature and became incorporated into a block of cases that produced the Supreme Court’s “one person, one vote” decision in 1964. That ruling affected more than 30 legislatures whose seats had been unfairly apportioned, with more power going to rural areas than cities.

R. Peter Straus VOA 1977-1979Long active in Democratic politics, Mr. Straus was President Lyndon B. Johnson’s assistant administrator for aid to Africa in the Agency for International Development from 1967 to 1969, and director of the Voice of America under President Jimmy Carter from 1977 to 1979.

He was also the author of “Is the State Department Color Blind?” (1971), “The Buddy System in Foreign Affairs” (1973) and “The Father of Anne Frank” (1975).

Daniel E. Slotnik contributed reporting.

http://www.nytimes.com/2012/08/09/business/r-peter-straus-wmca-radio-pioneer-dies-at-89.html

 VOA photo of R. Peter Straus added by WNEW1130 editors

 

Civil Rights Jazz P.S.

 The photo above was inscribed by Gene Klavan and Dee Finch “To the great dane, Chris ” Albertson who worked in promotion and as continuity director while with WNEW between 1961 and 1964. Albertson was born in Reykyavik, Iceland and attended schools there and in England and Denmark. It was while in Denmark in 1947, Albertson says, that he heard a recording on radio by Bessie Smith that changed his life, for it led to a life-long devotion to jazz and blues music.

In case you missed it, “Civil Rights Jazz” was posted here on March 12, 2012.

Publicity photo by James J. Kreigsman

Peggy’s Room

Mike Prelee

The New York City Hall news beat consisted of a close knit group of reporters.  Peggy Stockton of WNEW News was proud to be a member of the Room #9 crew.  For over 12 years Peggy covered four New York City mayors. She interviewed dozens of council members and a large list of political leaders. Election night was her specialty.  Mayor Edward Koch is one of many who never passed up her questions. (photo below) 

Peggy Stockton with Mayor Edward Kotch

Peggy was a member of the New York Press Club, and the Inner Circle.  She also was the recipient of many news awards for her on-the-scene coverage including the Associated Press Award for spot news reporting; The Press Club’s Byline Award; and the Olive Award for her program on “The Runaways of The City.”  Peggy lived in Greenwich Village, a stone’s throw from City Hall.

Peggy Stockton and I co-anchored WNEW’S coverage of the fireworks display from beneath the famous Brooklyn Bridge on its 100th Anniversary celebration.  We sat under the Bridge in the city she loved watching the historic event.  We were like two kids, totally awestruck as we described the sight.  Her first love, however, was the political and election coverage beat where she made a host of friends.  Millions of listeners recall her signature radio closing to a story…Simply: “This is Peggy Stockton, WNEW News… New York City Hall”  Peggy died of cancer September 12, 1988.   Mike Prelee

Mike Prelee served as WNEW’s news director from 1981 to 1992.

Floppy and the Beast

Julius LaRosa Hollywood walk of fame

Julius LaRosa’s Star on the Hollywood Walk of Fame can be found on the south side of the 6200 block of Hollywood Blvd.

 

 

From Bill Diehl’s magazine rack

Julius LaRosa (WNEW 60’s-70’s) twice made the cover of Radio-TV Mirror in 1953 (Radio still came first then) a solo picture in September and a cover shared with Lou Ann Simms the previous March.

larosa-simms radio TV march 53The story in the March issue concerned cast members of Arthur Godfrey’s radio and TV shows, and a trip they took to Miami to christen TV station WTVJ’s new studios, and do a show there.  They flew down in a charter National DC-6 from Idlewild,  (now JFK International.)  As the plane approached Miami, the article quotes Lou Ann (19 from Rochester)  as saying, “It doesn’t look very big.”  Julius (22, Navy vet from Brooklyn) at her elbow laughed and said “There’s more than meets the eye, believe me.”  

A red plush carpet was rolled out on arrival and “when Julius walked down the steps a sea of Miami girls were there yelling his name and waving autograph books.  He signed his name over and over, grinning and happy.  Lou Ann waited, beginning to see what Julius meant.”  

There was a reception at WTVJ and then the drive up fabulous Biscayne Boulevard and across the causeway to Miami Beach and the Kenilworth Hotel.  Again quoting from the article:  “And now the kids could let go.  They had each asked for a Cadillac convertible apiece to drive while they were here. But incredibly, the demand for rented Cadillac convertibles that weekend was overwhelming, and most of the available supply was already taken.  Eventually the Godfrey troupe got theirs, but for tonight Julius had to make do with a Buick.”

Oh yes, and there was Floppy, the Night-club Doll, a large doll, says the article, that Lou Ann was given at the Clover Club.  “What Floppy needs,” said the irrepressible Julius, ‘is a little excitement.’   The article goes on “…Julius the sadistic kidnapper, if you judged by his fiendish laughter and her blood-curdling shrieks of dismay…stood on the highest diving board, holding Floppy out over the drink. Floppy fell into the pool, ‘poor Floppy’ said Julius, sadly. ‘Beast, beast,’ Lou Ann cried. With that Julius dived into the pool, came up with Floppy in his mouth and paddled ashore like any brave dog rescuing a drowning baby.”

The article concluded with the flight home. “Julius slept. Lou Ann held Floppy under the air-conditioner above her seat.” It sure was another time, wasn’t it!  B.D.

The caption beneath the photo above, reads: A host of little Godfreys—both newcomers and veterans, beaming in the Florida sunshine: Left to right, Julius LaRosa, Janette Davis, organist Lee Erwin, Lou Ann Simms, Marian Marlowe, frank Parker, and Haleloke.

 

He Called The Tune

When the photo at right was published in “Radio-TV  Mirror” magazine in December, 1949, Martin Block was back at his old stand on WNEW after an unhappy year-long engagement with KFWB in Los Angeles, the station where he first went to work in the early 1930’s.  L.A., the second time around, rejected him as a slick, know-it-all New Yorker.   Block, in 1949, was five years away from ending permanently his long run on WNEW which had begun in 1934, when the 31-year old super salesman made an unannounced call on WNEW Station Manager Bernice Judis. After reading a few commercials and, the story goes,  speaking lovingly and at great length  about a common pencil she asked him to describe, he was hired as a part-time announcer for $25. a week.  By the time the “Radio-TV Mirror” photo was published,  he was earning more than $20,000 a week.   

After years of reigning atop the world of popular music with twice-a-day and nationally syndicated “Make Believe Ballroom” shows, movie shorts for M-G-M, TV announcing, music publishing, song writing and other enterprises, Block left WNEW on January 1, 1954, to be heard locally in New York, on WABC.  His final new-beginning was a move to WOR in 1961 for the weekend “Martin Block Hall of Fame” shows.  He was, by then, a stranger in a strange land of Beatles, Stones and Monkeys, no longer the singular voice that called the tune.

  When leaving WNEW, Block was quoted as saying it was strictly business, ABC (his syndicator) had offered him “a much better deal.”  But The Associated Press, in a September 19, 1967 dispatch following his death, quoted a friend of Block’s as saying, “WNEW never let go anybody they wanted to keep.”  

Martin Block’s “Make Believe Ballroom” is best remembered for its big band popularity polls and hit song countdowns, but the man who led the revolution on radio from live to recorded music, hosted many live on-location and in-studio music specials featuring some of the greatest talents of pop music, big band swing and jazz. For just one example, we direct your attention to “The Wonderful World of Louis Armstrong: 70 Years of The Martin Block Jam Session,” which includes audio of a session including Jack Teagarden, Fats Waller and Louis Armstrong.  E.B.

http://dippermouth.blogspot.com/2008/12/70-years-of-martin-block-jam-session.html

Thanks to Bill Diehl for another flea market photo find.

 WNEW1130.com has no affiliation with “dippermouth.blogspot.com” and other websites whose links may be published here.

 

 

Velvel B. Velvel, por ejemplo

Nat Asch, over a  stretch of years, held a variety of positions at WNEW and WNEW-FM that put him in the NY Giants broadcast booth, a GM’s corner office, the clutches of Klavan and Finch, and in an impressive assortment of  Manhattan saloons where he did meet and greet the great.  He posted a comment on “WBW VIS-A-VIS RNR,” which we intercepted and moved over here into this larger space.   Nat wrote . . . .

Williams and Sinatra at Friar's ClubWilliam B. Williams,  also known as Velvel B. Velvel, Guillermo B. Guillermo and half a dozen other non de plumes that he employed to identify himself during his extraordinarily successful daily turns on WNEW, was a master of what is known these days as the Great American Songbook.  I need hardly remind one and all that he named Frank Sinatra “the chairman of the board.”  (When Sinatra was informed that Willie had cancer, he invited Willie to his home in Palm Springs where Willie subsequently spent three weeks convalescing.)   Willie was also a great friend and especially was that so when he introduced me (as well as WNEW’s audience) to Buddy Hackett. More about Buddy at another time.

     Willie B, as he was most familiarly known, had a  clearly defined sense  both of humor and subtlety which was accompanied by a laugh that eventuated into a highly infectious cackle. You simply had to laugh when Willie cackled.

      He had little patience with those artists who “covered” other artist’s musical “hits” and had a way of both playing their music and expressing his distaste for their propensity for what he felt was copying. These days it’s buddy greco called “covering.” By you it’s ‘covering’ and by me it’s ‘covering.’ But by Willie it was plagiarism, larceny! There was, for example, (and he always took advantage of the opportunity to display his language facility by never saying “for example.” He always used the Spanish “por ejemplo.”) the time that a good friend of the station, Buddy Greco, had the hit, “Around the World.”
     Within weeks, the singer Kaye Stevens produced her version of “Around the World” which, it turned out, was exactly the same as Greco’s; tempo, arrangement, exactly the same. (Greco, by the way, never forgave her.) Willie demonstrated his dissatisfaction with Steven’s record by saying at its conclusion, “nice try,”  in an easily identified tone indicating displeasure. 

      Buddy HackettI loved Willie B. He, Hackett and I spent a great deal of time together…mostly laughing because Buddy who, in my opinion owned the single most original comedy mind I had ever encountered, never stopped being hilarious and Willie B. loved to laugh.

      They were the best days of my life.

      Nat Asch

 

“You ol’ spotted dog, you”

jim lowe starr nrth side 6300 blk hlywd blvdNext time you’re in Hollywood, stroll over to the north  side of the 6300 block of Hollywood Blvd., and you’ll come to the spot where they put a star on the Walk of Fame for the ol’ spotted dog, Jim Lowe.  A lifetime devoted to American popular music is what put it there, and for giving radio broadcasting a good name in the years he was on  the air.

You’ll  find, below,  a recorded conversation Jim had with Doug Miles on WSRQ in Sarasota, FL eight years ago,  on  June 4, 2004,  followed by a David Hinkley story in The New York Daily News, from November 10, 2004, about a month after Jim retired, having conceded that “it is,” as he often said,  “later than it’s ever been.” E.B.

http://www.youtube.com/watch?v=OXn5JjiWwL4

A Voice For Classic Pop, Jim Lowe Calls It An Era

BY DAVID HINCKLEY DAILY NEWS STAFF WRITER
Wednesday, November 10, 2004

Frank Sinatra used to create a magnificent moment in his concerts when the lights would dim to black at the end of the Earl Brent/Matt Dennis song “Angel Eyes” and Sinatra would sing, “Excuse me while I disappear.” Now it’s Jim Lowe’s turn.

At the age of 81, Lowe has retired from radio, quietly closing the door behind one of the last hosts from the era when golden-age popular standards were the music of mainstream radio. Late last month, he sent out the last broadcast of “Jim Lowe and Friends,” a weekly show he syndicated.

Lowe recorded the show live at small Manhattan clubs. Perched on a stool, he would talk with jazz singers, cabaret artists and others who keep alive the spirit of the American Songbook. Then he’d let them play.The show was low-key and unfailingly stylish. It was built on echoes of another age, but it was entirely in the present, reflecting Lowe’s lifelong conviction that this style of music is far too vibrant and flat-out entertaining to become a historical artifact.

That said, it was never easy to put the show together or find stations to carry it in a radio world that mostly acts as if music started with the Beatles. But Lowe did it for six years, when he could have been relaxing in retirement at his Long Island home, just because he still liked it. “The show was a labor of love,” he says. “When it became a labor, it was time to end it.”

Born in Springfield, Mo., Lowe didn’t come to New York as a crusader. He came as a songwriter and singer who in late 1955 had a hit with “Close the Door,” then a bigger one – a No. 1, in fact – with “Green Door.” He cut some songs his later fans might think odd, including “Maybelline,” and he had almost as big a hit as Jim Reeves with the melancholy “Four Walls.”

It was also noted that he had a great radio voice, and by 1962 he was doing Saturday nights at NBC Radio’s “Monitor.” A year later he joined WNEW-AM, doing the “Milkman’s Matinee” and “Jim Lowe’s New York,” which featured listener quizzes on esoteric facts. He returned to “Monitor” from 1969 to 1973, then bounced back to WNEW-AM, where he revived “Jim Lowe’s New York,” did a spell on the evening shift and in 1982 became program director.

Neither he nor anyone else could save the station, which finished its own run in 1992. So Lowe, like others, took to focusing on the music.”If all we do is keeping playing ‘In the Mood,’ we’ll end up in a museum,” he said. So he looked for new music that reflected the classic sound and style, and therefore could blend with the old. That’s the music he listens to at home these days, he says, and that’s what “Jim Lowe and Friends” was about. It carried the torch and helped to pass it.

One of those who picked it up, Jonathan Schwartz of WNYC and XM Satellite Radio, has known Lowe since the ’60s and says Lowe’s retirement, while well-earned, saddens him. “Jim Lowe, or ‘Mr. Broadway,’ is one of the passionate champions of the American Songbook,” says Schwartz. “He is a dedicated friend of craft: He was born with the knowledge that ‘home’ does not rhyme with ‘alone.’ ”                                             photos added by WNEW1130

Jim Lowe wrote and recorded “Gambler’s Guitar” for Mercury Records in 1953.

WBW VIS-A-VIS RNR

WBW vis-a-vis RNR

William B. Williams is pictured above in a late 50’s  newspaper ad.  His opinions about rock ‘n’ roll  were evidently expressed in a more courtly manner during a TV appearance in 1963, according to listeners who wrote to him after the show.  Those listener comments were included in one of   WNEW’s  column-like promotional ads, What’sNEW, (see below) placed in New York’s major dailies in 1963 /64. This is the  5th edition we’ve reconstructed from original clips collected by Bill Diehl. 

Footnote: From the mid 1960’s to the early 80’s, WNEW tried to acknowledge top pop music  to no one’s satisfaction. The station’s return in the early 80’s to the style of programming that had long sustained it, was undone by a  succession of owners whose  starvation budgets and programming bludegons rendered the WNEW of times past unrecognizable and without immediate value except for one more sale.   E.B.WBW RNR

Bang! They’re Off!

“. . .news on  the hour and half-hour, Nat Asch Sports Reports . . .part of Klavan In the Morning  once upon a time.  An e-mail and a photo from Stuart Zuckerman appear below.

I was Promotion Manager of WNEW-AM for less than a year (June 1974-March 1975) but have fond memories of the great on-air talent I worked with, particularly Gene Klavan and Julius La Rosa.

 It was a stressful time in the station’s history. A new Program Manager had arrived from the Cleveland station where Don Imus was the morning man. The program manager, John Lund, had been brought in to make the music more contemporary, but not be rock’n’roll. (Think pop Top 40). The on-air talent was not happy. Imagine Willliam B. Williams being told to mix “Baby I’m-A Want You” by Bread in the same set as something by Sinatra.

 I’m most proud of an ad campaign I created for the morning drive program with the somewhat risqué headline. “Klavan gets you off in the morning”.  (The runners L-R: Sales reps. Ed Mohr, Dick Barry, Nick O’Neill, PD John Lund.) Hope this brings back some fond memories to some of the gang that was at Eleven-Three-Oh back then.

klavan gets you off

What’s New #4

WNEW  30th Anniversary promotions in 1963, included a series of column-like promos, What’sNEW, placed in New York’s major dailies. The item below, which appeared in the Times and Tribune in September, 1963, is the  4th edition we’ve reconstructed from original clips collected by Bill Diehl.

Klavan & Finch What's New #4 for web

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