A “Milkman” Returns

MARTY WILSON  

(WNEW 1981-1986)

Marty wilson Marty became interested in broadcasting at a very young age.  His parents surprised with him with tickets to be in the Peanut Gallery on the “Howdy Doody Show.”  He spent more time looking at the cameras, mike booms, and production staff than he did at Buffalo Bob and the puppets!

 A few years later he took the tour of NBC Radio and was hooked.  In junior high school he became a member of the Cousin Brucie Fan Club and would visit the WABC studios on West 66th Street.  He then worked for Bruce backstage at Palisades Amusement Park.

 After enrolling at City College he majored in cutting class to work at the college radio station where he became Assistant Station Manager and hosted a number of shifts.

symphony sid 1909-1984
Symphony Sid (early 1970's)

 In 1968 he got a job at WEVD as a summer and part time engineer. In addition to learning how to understand commercials in 16 languages, he met Symphony Sid.  One night at a remote from the St. George Hotel in Brooklyn, Sid became a little “under the weather.”  He turned to Marty and said, “You finish the show, I’m going home.”  Marty then moved to the other side of the glass.  He became a staff announcer, and when Sid retired, Sid gave him his record collection and later Marty hosted his own show, “Jazz Through The Night,” at times broadcasting from his Upper East Side apartment in a studio he built.

 After leaving WEVD, he worked briefly at WHLI with the “Music Of Your Life” format.

 During the “Jazz Through The Night” years he met Bob Jones, who was on the air at WNEW.  Bob convinced PD Jim Lowe to give him an audition.  The audition consisted of, “Here’s a reel of tape, there’s the studio, there’s the record library, do an hour.”

 He was hired as the weekend host of the ”Milkman’s Matinee” and shortly thereafter became the full time Milkman following in the footsteps of a number of great hosts.  He introduced a number of features during that time including an audience participation novelty called “It Could Be Verse” where listeners would try to guess what song was playing just by listening to the verse. Ted Brown enjoyed his style and insisted that Marty be his vacation substitute. 

 In 1987 Marty also conceived the idea for a syndicated program, “A Moment Of Musical History”, a daily feature, that was heard nationally and is still on the air as of this writing in 2012!

 After leaving WNEW, he and a college buddy of his bought a station in New Haven, Connecticut, which he ran for nine years. After selling the station he joined the staff of “Jukebox Radio,” doing afternoons and then middays.

 Now he concentrates on doing voice-overs and producing commercials for a variety of clients and agencies from his own studio in sunny South Florida.

Editor’s Note: Symphony Sid: http://en.wikipedia.org/wiki/Symphony_Sid

Kid In The Kitchen

“How I Got This Way”  by Regis Philbin

Chapter I  Bing Crosby

Young Regis PhilbinIt all began with Bing Crosby during the Depression of the thirties. I must have been six or seven years old at the time. My family lived on the bottom floor of a two-story house on Cruger Avenue in the Bronx, and every night at 9:30, I sat by my little radio in our kitchen and listened to a half hour of Bing’s records regularly spilling out over WNEW. His voice was so clear, so pure and so warm that after awhile I thought of him as my good friend. Even though he was out in faraway, glamorous Hollywood and I was in the humble old Bronx, in my mind we truly were friends and would always spend that special half hour together, just the two of us.

I listened to those songs of the Depression era and, even as a kid, I understoodBing Crosby that the songwriters were trying to give hope to a struggling and downtrodden public. I grew to love those lyrics and what they said to me. I swear to you that those same songs have stayed with me for the rest of my life, and during various dark periods when I hit those inevitable bumps along the way, I would actually sing them to myself. Like “When skies are cloudy and gray, they’re only gray for a day. So wrap your troubles in dreams, and dream your troubles away.”

Thanks to Bill Diehl for reminding us of the excerpt above from the Regis Philbin autobiography “How I Got This Way,” Doubleday Book Club. Photos added by WNEW1130 editors.

 

Definately Not An Undercover Assignment

In What’sNEW#1, posted February 2nd, mention was made of one of WNEW’s red mobile units, taking News Director Lee Hanna, Tech. Supervisor Shel Hoffman and engineer Howie Epstein to Washington D.C., Aug. 26, 1963 to cover  the March On Washington. A photo of one of those Chrysler red hots, was discovered just a few days ago by chance on  the internet.  The photo, taken by Bill Cotter in April, 1965, shows the wagon in front of the Irish Pavillion, during the 1964/65 New York World’s Fair. Cotter posted the photo, and others, in 2010 on “World’s Fair Community.org. 

 http://www.worldsfaircommunity.org/topic/10385-wnew-news-at-the-fair/

wnew-wagon worlds fair

When trade-in time came, WNEW stayed with the Chrysler New Yorker, but in quieter white.     

http://www.worldsfaircommunity.

WNEW News “busting out all over”

john crosby herald tribuneJohn Crosby, was a  columnist for The New York Herald Tribune from 1935 to 1941 and, after WWII military service, from 1946 to 1965.  

He continued newspaper and novel writing into  the mid-seventies, but is remembered best  as the Tribune’s chief radio/TV critic during the 1950’s.  This line of his about CBS-TV cancelling Edward R. Murrow’s “See It Now,” helps explain why Crosby was so well regarded: “See it Nowis by every criterion television’s most brilliant, most decorated, most imaginative, most courageous and most important program. The fact that CBS cannot afford it but can afford “Beat The Clock,”is shocking.”  Another worthy observation of his concerned WNEW’s new, (1958) full-time news department and its “brash young news staff” whose news coverage was “busting out all over.”  Read on.  

  John Crosby 1959 column

The image above is a recreation of a 1959 John Crosby column as published in the New York Herald Tribune.  Thanks to Bill Diehl for finding a copy of the original column. E.B.

W hat’s NEW #2

April 1964.  Marlene Sanders, after two years at WNEW, will leave for ABC (1964-1978) and later CBS (1978-1987)  But before departing 1130, she served as Assistant News Director, produced the award-winning News Closeup series and was  recognized for distinquished reporting. See What’sNEW#2, below.

 Marlene Sanders What's new

What’sNEW#1

Another geyser from Bill Diehl’s deep memoribilia wells.  Bill has come up with  scores of 1960’s paid pieces WNEW placed  in New York newspapers. Background on  how the PR pieces were created, later on.  Right now, here’s What’sNEW#1 on Martin Luther King Jr.’s March On Washington, Aug. 28, 1963, published  a few days later.
 Reid Collins sept 63

Art Ford And The Night Visitor

 Art Ford and the Night Visitor

Tom Saunders watercolor of Art Ford

The watercolor (above) by Tom Saunders is based on the  photo (below) published in Arnie Passman’s book, “The Deejays,”* But, the woman in the painting is not the woman in the photo.  Explanation, below.

 As WNEW’s first Station Manager, Bernice Judis often dropped in on shows at any time of the day or night. In the photo above, she is seen during an after-midnight visit to “The Milkman’s Matinee” when it was hosted by Art Ford. (1942-1954) In an e-mail to long-time friend, and ‘NEW alum, ABC’s Bill Diehl, Saunders explained: “I read that Bernice Judis was the manager who fired Art Ford for playing too much ‘jazz and international’ music, so I purposely eliminated her and put in a blond groupie instead.” Saunders identified correctly the cause of Ford’s firing, but not his executioner. Judis retired from WNEW in 1954 after 20 years with the station, and about four years before Ford got word while in Europe in April, 1958, that his services were no longer desired.

Continue reading Art Ford And The Night Visitor

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(The photo and text above are reproduced from a 1958 newspaper ad. The ID overlays were added by this site’s editor.) Display Ad 60 — No Title New York Times (1857-Current file) Sept 3, 1958; ProQuest Historical Newspapers The New York Times pg.68

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